Albert Einstein, Rock Star He made science cool,...

Albert Einstein, Rock Star

He made science cool, turned bad hair good—and there’s that tongue photo. by Thomas Levenson

Bob Dylan came up with one way to remember Albert Einstein: “Now you would not think to look at him/But he was famous long ago/For playing the electric violin/On Desolation Row.”

This is the pure distillate of celebrity. Dylan’s folk-rock vision of “Einstein, disguised as Robin Hood” is one in which the original man has disappeared into a symbolic fog where more or less any meaning may be found. Nowadays, such content-less fame has become common, though there aren’t many out there who match Einstein for resonance. But when he first exploded into public view, there were no precedents. No scientist before or since has so completely transcended the role of expert to become a universal emblem of reason.

It is possible to fix almost to the day the moment when Einstein became an icon. On November 6, 1919, he was still a private person. But that night, the Royal Society held a special meeting in London to announce the results of observations that seemed to confirm Einstein’s theory of gravity, the general theory of relativity. As The Times of London reported in a headline the next day, the society concluded that the work amounted to a “Revolution in Science—New Theory of the Universe—Newton’s Ideas Overthrown.” Three days later, The New York Times picked the story up, blaring that there were “Lights All Askew in the Heavens…[the] stars [were] not where they seemed or were calculated to be.” From there the word spread around the globe until, by the turn of the year, Albert Einstein had crossed the point of no return: He was and has remained public property. But that raises questions: Why him, why then, why still?